Costume designer Guy Clark has designed several sets of costumes for DK. His current project is designing and overseeing the build on a splashy new set of costumes for DIVAS (Feb 9-12 at IRT). Get tickets with this link or call 317-635-5252.
Q: What was your inspiration for these two sets of costumes?
A: My inspiration comes from a variety of sources -the music, the dancers, and the choreographers. The individual looks of Aretha Franklin and Janis Joplin certainly inspired me as I was designing -not necessarily to design pieces they might have worn, but to bring a bit of the personal style of each of them to the pieces.
Q: Please tell us about the hand dying that your costume shop has done for DIVAS.
A: The dying is a combination of vat-dipped ombre and old-fashioned tie-dye. Each piece is unique, created by Jessica Hayes and Stephanie Eubank, the very talented drapers at Indiana Repertory Theatre, with the skilled assistance of the IRT costume shop staff -Christi Parker, Kelsey Sikes, and Judith Skyles. We've also had great help from our new intern, Butler student Laura Scobell, and local fashion legend (and former IRT costume shop draper) Catherine Fritsch.
Q: Did you listen to any of the music that would be used in the show as you designed?
A: I always find the music a great source of inspiration while I'm designing for DK. I grew up listening to Aretha Franklin and Janis Joplin, so I was already very familiar with their music.
Q: You've designed for most of the DK dancers before. Were you at all inspired by their personalities or the way they dance?
A: The DK dancers have taught me so much about the very practical aspects of designing for dance, as have David and Nick. Watching how each dancer moves, as well as how the troupemoves together, helps me imagine costumes that I hope will be appealing on each dancer and have a cohesion of design.
Q: The design for Jillian Godwin in the Janis Joplin piece is more elaborate than the others. Tell us about your creative process and intent for that costume.
A: Jill's costume came out of discussions with her andchoreographer David Hochoy. For her solo piece, I imagined Jill's look as more a character from the song "Me & Bobby McGee" than as a Janis Joplin costume.
Q: The silhouettes and fabrics for both the boys and girls' costumes in the Aretha Franklin piece are inventive. Please tell us about the inspiration and desired feel for them.
A: The Aretha pieces developed from conversations with the choreographer, Nick Owens. We were working to bring movement into the costumes. The fabric we chose is a lightweight stretch net that Ihope reflectsthe elegant sensuality of Ms. Franklin's voice.